The year that was until it wasn’t

I’m a day late in writing this as my body and mind have finally been nursed back to stability following the marathon day of new year’s eve. The horned frogs are in the national championship—what a time to be alive.

The last year of my 20’s was arguably the best of the decade. Approaching this arbitrary milestone of 30 isn’t a frightful notion, though it’s strange to consider that my sophomore year in high school was half my life ago. As I write this, I’m sitting in a Sublime t-shirt I bought that year: at this point, it could almost be an heirloom. I tell myself that age has made me an effective (not necessarily better) decision-maker. This is rooted in looking out for myself, focusing on what keeps me healthy and makes me happy, and not getting caught up in the superficial—like worrying about what the cashier at the grocery store thinks of my ratty Sublime shirt, sweat pants, and bedhead.

I am fortunate to surround myself with people who embrace me for being me. What this says about their decision-making is a separate discussion. This year has served as a wonderful reminder that friends and the memories I forge with them are immensely precious. As I reflect on my brief stint struttin’ on this earth, I think what I want most in life is to be known by the quality of my friends. All of you people shape who I am and for that I am grateful.

Below you’ll find the usual menagerie of musings from the year: a favorite poem, by the numbers, a reading list, a movie list, and some quotes and notes.

 
 

“My plans for the past” by Sam Willetts

I often regret the time i’ve devoted

to regret: thereby sustainably rewasting wasted

time time and again. A psychiatrist

with glinting specs once said I had Tourette’s–

just because I told him I can’t help but curse

aloud over old shames, hurts, failures

and the rest. Tourette my feckin arse

(i said); I swear like that because it hurts;

because, although I try and try my best,

I’ve yet to find a way to change the past–

you know, to saw sawdust.

to get

the smoke back

in the cigarettes.

 
 

By The Numbers

  • 48,278 minutes of music listened to

  • 81 movies watched

  • 28 books read

  • 174.8 hours spent walking

  • 600.2 miles biked

  • 432 total beers consumed

    • Assuming an average of 14oz per beer (splitting the difference between a standard can/bottle and a pint), this means I consumed 6,048oz of beer. A standard half-barrel keg is 1,984oz. This means I drank 3.05 kegs of beer. Woof.

  • 674 poops pooped

    • This was the top request to track when I took an audience poll after last year’s summary. I’m just giving the people what they want so don’t fault me for serving the masses. Google tells me the weight of human feces ranges from 0.25 to 1.0 lbs. Assuming an average of 0.6 lbs, my annual output was 404.4 lbs—or proof that I’m full of shit.

 
 

Reading List

Recommendations: The Power Broker (non-fiction), A Coney Island of the Mind (poetry), The Hail Mary Project (fiction)

Ariely, Dan Predictably Irrational

Caldini, Robert Influence: Science and Practice

*Caro, Robert The Power Broker

Cunningham, Jennifer Two Months

Eichar, Donnie Dead Mountain

*Ferlinghetti, Lawrence A Coney Island of the Mind

Hayek, Friedrich The Road to Serfdom

King, Stephen Duma Key

King, Stephen Bag of Bones

Kolhatkar, Sheelah Black Edge

Krakauer, Jon Eiger Dreams

Larsen, Erik Dead Wake

Larsen, Erik Devil in the White City

Lewis, Michael The Undoing Project

McCarthy, Cormac No Country for Old Men

McCarthy, Cormac The Passenger

McCarthy, Cormac Stella Maris

Mclean, Bethany All the Devils are Here: The Hidden History of the Financial Crisis

Murakami, Haruki The Wind-Up Bird Chronicle

Murakami, Haruki Kafka on the Shore

Schwab, V.E. The Invisible Life of Addie LaRue

Uris, Leon Exodus

Voltaire Candide

Vonnegut, Kurt Galapagos

*Weir, Andy The Hail Mary Project

Weir, Andy The Martian

White, Andrew Dickson Fiat Money and Inflation in France

Wright, Lawrence The Looming Tower

 
 

Movies

Recommendations: Altered States, Zardoz, Triangle of Sadness, Fire of Love

 
 

Quotes & Notes

“Have We Forgotten How to Read Critically?” by Kate Harding

Today, the author is not dead until the author is actually dead. In the meantime, every published piece of writing is treated as the beginning of a conversation–or worse, a workshop piece–by some readers, each of whom feels entitled to a bespoke response.

Reading better, thinking better, is quite literally a matter of survival in the time of Covid and climate change, in these days when we’re reflecting on the first anniversary of disinformation-powered insurrectionists breaching the US Capitol. It’s no longer enough to see a headline, feel a feeling, go off. We have to ask more questions, of ourselves and our sources, starting with that fundamental one: does this make any fucking sense at all?

“The Case Against the Trauma Plot” by Parul Sehgal

The claim that trauma’s imprint is a timeless feature of our species, that it etches itself on the human brain in a distinct way, ignores how trauma has been evolving since the days of railway spine; traumatic flashbacks were reported only after the invention of film. Are the words that come to our lips when we speak of our suffering ever purely our own?

The trauma plot flattens, distorts, reduces character to symptom, and, in turn, instructs and insists upon its moral authority. The solace of its simplicity comes at no little cost. It disregards what we know and asks that we forget it, too–forget about the pleasures of not knowing, about the unscripted dimensions of suffering, about the odd angularities of personality, and, above all, about the allure of necessity of a well-placed sea urchin.

The Revolt of the Public by Martin Gurri

Pre digital era–a single mass audience, all-consuming the same content, as if looking into a giant mirror reflecting their own society. The digital revolution has shattered that mirror, and now the public inhabits those broken pieces of glass. The public isn’t one thing; it’s highly fragmented and basically mutual hostile.

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